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TIMESTAMPS
- 02:00 Description of Office Hours - wins, updates
- 24:20 Protocol for connecting with people or potential clients on your own if you’re under an agency
- 35:50 What does it mean to be “roster-y” vs having an agent?
- 39:35 TwistedWave question: When you do auditions, what steps do you take when editing/producing TwistedWave?
- 47:10 How do we overcome the ‘s’ sound?
- 53:40 What cables do you use for your microphones?
- 59:40 Do you save your raw files?
- 01:01:50 Should I consider using paper and print for marking up?
- 01:19:00 How do you approach marketing?
- 01:30:00 How do you market yourself if you’re doing something else alongside voiceover work?
- 01:42:40 Do you have to do different demos for different kinds of voice work?
- 01:46:30 Inquiry on processing files – is “raw audio” understood differently in a variety of contexts?
- 01:58:20 Different coaching techniques
- 02:04:20 How do you approach auditions and scripts?
- 02:14:40 Approaching AVC reads
- 02:22:00 Dealing with confusing direction or direction that personally disagree with on an artistic level
- 02:30:25 Carrie sharing about her worst voiceover sessions
- 02:33:30 What do you look for from your clients when you’re asked to do audiobooks?
- 02:50:00 Modes of communication with the voiceover community and how to get in touch with others